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įor those less yogically inclined, Bikram Choudhury is the inventor of a technique called “hot yoga”, which involves executing a series of 26 poses in extremely hot temperatures. What’s more, the silent archival footage of Tan in her film in an oversaturated 1992 Singapore is deeply, weirdly hypnotic and testament to the quality of the film, which never saw the light of day (until now) for reasons explained in the documentary. Finally, she reveals what exactly happened to Cardona almost 30 years ago. The story seems simple, until layers are peeled back and Tan gradually drip-feeds subtext into the film, carefully presenting her friends and collaborators, aged 19, in ways that explain where they ended up now, in their late forties, and exploring her friends’ quiet feminism until we come to know and respect the characters intimately. On the surface, it sees Singaporean director Sandi Tan revisit a film, also called Shirkers, which she and her friends made as young students in the early 1990s, with the help of a mysterious older man named Georges Cardona, who later disappeared with all their footage. Shirkers is possibly the best film I saw in 2018.
Welcome To Leith charts the increasingly fraught confrontations between Cobb and his cronies – who rarely left their houses without packing multiple firearms – and the locals, who turned out to be tougher to intimidate than Cobb anticipated. Needless to say, things got tense and by the end of the experiment certain buildings in Leith were reduced to charred ruins. That’s exactly what happened in Leith, North Dakota, in 2012, when a white supremacist named Craig Cobb tried to build an artificial majority in the tiny town, whose population is somewhere between 15 and 20 people. But the second is to simply find enough people who think the same way as you and buy up as much property as you can in a town small enough that you can outvote the other residents, moving there en masse to take over the legislature in the process. In particular, Scanline is noted for its creation of natural phenomena such as fire, smoke and water through its work on disaster epics including “San Andreas” and “Independence Day: Resurgence.How do you set up a neo-Nazi state? According to Welcome To Leith, there are two options: the first is through the traditional method of election through populist gaslighting, attacks on truth and the media and stoking racial divisions. Scanline VFX is “one of the most creative and innovative VFX studios in the world” and “is known for its complex, photorealistic effects and expertise in virtual production,” Amy Reinhard, Netflix’s VP of studio operations, said in a blog post announcing the deal. Scanline VFX’s projects that are currently in production include “The Batman,” “Aquaman and the Lost Kingdom,” “The Flash,” “Black Adam” and “Moonfall.”
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It’s the second major M&A deal in the VFX space this month, after game-development software vendor Unity said it will buy Peter Jackson’s Weta Digital technology and tools business for $1.625 billion.įor Netflix, Scanline VFX has provided effects for “Stranger Things 3” - and is currently in production on Season 4 - plus the live-action series of “Cowboy Bebop” and horror movie “Blood Red Sky” and upcoming projects including Adam McKay’s “Don’t Look Up,” Anthony and Joe Russo’s “The Gray Man,” Shawn Levy’s “The Adam Project” and “Slumberland” starring Jason Momoa.īeyond Netflix, Scanline has worked on Marvel’s “Eternals” and “Shang-Chi and the Legend of the Ten Rings,” “Black Widow,” “Black Panther,” “Captain Marvel,” “Iron Man 3” and “Captain America: The Winter Soldier,” as well as “Game of Thrones,” “Godzilla vs King Kong,” “Zack Snyder’s Justice League,” “Free Guy,” “Joker” and Clint Eastwood’s “Hereafter.”